Site adresimiz diizibox.online olmuştur. Sürekli güncel adrese erişmek için dizibox.com alan adını kullanınız.

diziler the frozen dead index

Modern Ukrainian war documentaries 2014-? In the conditions of the war since the beginning in the territory of Donbas, the annexation of Crimea and today's full-scale Russian invasion of Ukraine, a "cinema boom" has been observed. "Cyborgs" (2017), "Callsign Banderas" (2018), "Volunteers of God's Chota" (2015), "On the Line of Fire" (2017), "War of Chimera" (2017), "Debaltseve" (2016). And this is only a part of the tapes that appeared on our screens between 2014 and today. All of them are high-quality, dramatic, vivid, and most importantly, Ukrainian, depicting for Ukrainians and the world everything that happened and is happening during the war in our country. Today, it is possible to confidently predict an even bigger "cinema boom" that will happen after Ukraine's victory in the war with Russia. After all, unfortunately, there will be something to show. Moreover, not only Ukrainians, but also foreign artists will shoot. Bo Willimon — an American playwright and screenwriter (screenwriter of "House of Cards") — has already voiced his desire to shoot a documentary about the crimes and genocide committed by the Rashists in the Ukrainian town of Bucha. According to the Buchansk City Council, the screenwriter is already collecting materials while in Ukraine.

9f58b65a

Visconti Luchino(1906-1976) - Italian film director, one of the bright representatives of European elite cinema. A characteristic feature of his creative heritage is a clearly expressed thematic orientation. The leitmotif of all the director's films became the themes of family, beauty and tragic loneliness, the peculiarities of which interpretation were stimulated by the heuristic potential of the artist's biography. Paintings by L. Visconti "The Earth Trembles", "The Most Beautiful", "Rocco and His Brothers", "Death of the Gods", "Death in Venice", "People", "Family Portrait in the Interior" and "Innocent", despite stylistic differences and time distance, make up a kind of cycle. If the themes of family and tragic loneliness were the object of artistic understanding of many directors of the world, the interpretation of the theme of beauty became a feature of L. Visconti's work. Peculiarities of worldview,

Wide use of archival materials seems to us to be especially valuable in scientific research. This concerns the historical exploration of the Kharkiv researcher V. Myslavsky, dedicated to the first decade of game cinema. The author "equipped" his essay with numerous references to pre-revolutionary film magazines and beautiful iconographic material. Footage from "pre-revolutionary" films is all the more valuable because the tapes themselves have hardly survived.

Popüler Dizilerden Son Bölümler

Tümünü Gör

That is why, when studying the cinematography of the 1930s, two important aspects should be taken into account: the social one, which prevailed in the cinematography of the Soviet period, German cinema and the cinematography of the United States, and the ontological one, which gave an impetus to the understanding of the processes that took place in the French cinematography of the specified period.

A premonition of an inevitable tragedy permeates the work of the masters of French cinematography, in particular the films of "poetic realism" by J. Préver and M. Carnet - "The Embankment of Mists", "The Day Begins"; paintings by J. Renoir - "The Great Illusion", "Rules of the Game", "Man-Beast". Therefore, it is no coincidence that the number one actor of the French cinema of this period is Jean Gabin, whose hero defies history and is doomed to death. This gave the well-known theoretician and film historian A. Bazen reason to call Gaben a tragic modern hero.

Yeni Eklenen Bölümler

Tümünü Gör