video 10580 sikis isteyen kizlar diziler the lord of the rings the rings of power

This film forever engraved the director's name in the list of outstanding artists20th century worldcinematography In front of it, F. F. Coppola, U.Friedkin, S. Lumet and others.Thematic update by Gollywood was conditioned by the need forchanging the hero. Yes, inthe second half of the 60s -in the first half of the 70s appear on the screen like thiscalled antiheroes. Unlikelegendary x handsome men, "knights without fear"reproach" of the 30s,new heroes havecertainhuman weaknesses, but under any conditions they do not lose their sense of self-worth. Such imagesembodied by outstanding actors, known to the whole world as the brilliant Hollywood four - D. Hoffman,R. De Niro, J. Nicholson, Al Pacino.Al Pacino, outstandingAmerican and actorof Italian origin, pupil of the Higherschool of performing arts of TV, organically combines work in the theater in its activitiesand cinema.However, the worldwide fame of Al Pacinoidentified with cinema.

Wide use of archival materials seems to us to be especially valuable in scientific research. This concerns the historical exploration of the Kharkiv researcher V. Myslavsky, dedicated to the first decade of game cinema. The author "equipped" his essay with numerous references to pre-revolutionary film magazines and beautiful iconographic material. Footage from "pre-revolutionary" films is all the more valuable because the tapes themselves have hardly survived.

In some texts, the authors focus not so much on the film process as on its historical and social context. Thus, Z. Alfyorova draws attention to those general civilizational conflicts that were related to Ukraine and Ukrainian culture even in Soviet times. The author examines the artistic culture of Ukraine at the intersection of the influences of economic, political and socio-cultural systems and observes how the "crisis of reality", the "replacement of reality with signs of reality" is provoked both by the influence of "official" Soviet culture and the phenomena of early postmodernism. The author rightly notes that the internal dissidence of a certain circle of Ukrainian artists is reflected in the very style of screen works. However, interesting observations and theoretical generalizations do not always find concrete confirmation in the direct examination of the film process.