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The French "new wave" is directly associated with the work of J.L. Godard - "On the Last Breath"; F. Truffaut - "400 blows"; A. Rene - "Hiroshima, my love." The films of these directors were characterized by improvisation, reportage, which enabled artists to depict the absurdity of the world, the cruel laws of society that oppress the individual. The French invariance of the philosophy of existentialism, which was represented by the concepts of J.-P. Sartre, A. Camus and S. de Beauvoir.

A premonition of an inevitable tragedy permeates the work of the masters of French cinematography, in particular the films of "poetic realism" by J. Préver and M. Carnet - "The Embankment of Mists", "The Day Begins"; paintings by J. Renoir - "The Great Illusion", "Rules of the Game", "Man-Beast". Therefore, it is no coincidence that the number one actor of the French cinema of this period is Jean Gabin, whose hero defies history and is doomed to death. This gave the well-known theoretician and film historian A. Bazen reason to call Gaben a tragic modern hero.

A kind of alternative to the European cinema of the 20s was American film art, which was characterized by a realistic reflection of reality in the films of E. von Stroheim (1885–1957) - "Greed"; K. Vidora (1894–1982) - "Crowd"; in the tragicomedies of Ch. Chaplin - "Pilgrim", "Parisian Woman", "Gold Rush" and others.

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Ukrainian film art of the 1950s-1990s in feature films is connected with the work of R. Balayan, M. Belikov, L. Bykov, V. Braun, A. Bukovsky, V. Gresya, V. Denysenko, K. Yershov, V. Ivanova, V. Ivchenko, Yu. Ilyenka, O. Itigilova, G. Kokhan, V. Kryshtofovych, T. Levchuk, Ya. Lupiya, M. Mashchenko, I. Mykolaychuk, K. Muratova, O. Muratova, L. Osyka, S. Parajanova, B. Savchenko, P. Todorovsky, L. Shvachka, etc.; in documentary cinema - S. Bukovsky, O. Koval, M. Mamedov, O. Shklyarevsky, etc.; in popular science cinema - V. Olender, O. Rodnyansky, A. Serebrenikov, F. Sobolev, etc.; in animation - V. Dakhna, D. Cherkasky and others.

Ukrainian cinematography was started way back in 1896, more than 125 years ago. The first film was shot by Alfred Fedetsky in Kharkiv in 1896, but it was not like the cinema we are used to. The tape was entitled "Transfer of the Miraculous Icon of the Mother of God from the Kuryaz Monastery to the Kharkiv Pokrovsky Monastery." She (title) immediately describes the plot of this two-minute long work. Thanks to this tape, A. Fedetskyi became the first Ukrainian cameraman of documentary films. A little later in the same year, he organized the first public screening for Ukraine, where he demonstrated three-minute documentary stories. At the same time, screenings of French films started in Lviv.