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Ch. Chaplin's films are works that made a significant contribution to the development of the visual system of the cinematography, its montage structure and fulfilled the ultimate task of art - won the love and recognition of viewers all over the world. The 20s of the XX century. entered the history of world cinema as an extremely interesting period of experimentation and innovation. There was a process of finding new forms, visual means and techniques, awareness of the montage-poetic nature of cinematography, that is, in the bowels of cinema, its own aesthetic system was formed.

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Cinematography of the Soviet period of the 30s of the XX century. became a kind of mirror of the totalitarian era, because all cinematographic genres of that time fulfilled certain "social orders". A vivid example of this was the historian-revolutionary film presented by M. Romm's dilogy - "Lengn in October" and "Lenin in 1918"; trilogy by H. Kozintsev and L. Trauberg - "Maxim's Youth", "Maxim's Return" and "Vyborzka Side"; paintings by S. Yutkevich - "Man with a gun", the Vasiliev brothers - "Chapaev"; O. Dovzhenka - Shchors.

Oleksandr Petrovych Dovzhenko (1894–1956) is a Ukrainian film director, writer, artist, founder of Ukrainian film art. A specific feature of O. P. Dovzhenko's work is the movement from the mythological structures of the ancient Slavic worldview to "social order" and social myth-making, which determined the peculiarity of the periodization of the director's legacy. The first period is the stage of apprenticeship in the work of O. Dovzhenko, which is associated with the paintings "The Berry of Love". "Vasya the reformer" and "The Diplomat's Bag".

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In recent years, Ukrainian feature films have shaken up the film industry. The film "Donbas" jointly produced by Ukraine, France, Germany, the Netherlands and Romania won the prize of the Cannes program in 2018 and was nominated by Ukraine for the "Oscar" in the category "Best Foreign Language Film". "Mountain Woman: At War" produced by Ukraine, Iceland and France was also presented at the Cannes Film Festival of the same year.

A separate milestone of Ukrainian cinema is the screen adaptation of works of classical literature: "Shadows of Forgotten Ancestors" (1964), "Ukraine on Fire" (1967), "Stone Cross" (1968), "Natalka Poltavka" (1978), "Black Council" (2000 ) etc. Such films primarily convey the Ukrainian flavor: scenery, picturesque landscapes of Ukrainian lands, language diversity. Films based on the motives, or completely based on the plots of the classical literary heritage, supposedly remind Ukrainians that literature is easily used on big screens. Although the films have been shot since the 60s of the 20th century, their popularity has not waned.

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