A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Site adresimiz diizibox.online olmuştur. Sürekli güncel adrese erişmek için dizibox.com alan adını kullanınız.

Beklenen / Eklenen Diziler

diziler the jinx the life and deaths of robert durst diziler diziler the lord of the rings the rings of power

A kind of alternative to the European cinema of the 20s was American film art, which was characterized by a realistic reflection of reality in the films of E. von Stroheim (1885–1957) - "Greed"; K. Vidora (1894–1982) - "Crowd"; in the tragicomedies of Ch. Chaplin - "Pilgrim", "Parisian Woman", "Gold Rush" and others.

A text dedicated to television (by I. Pobedonostseva) stands a little apart from the general picture. And yet its appearance seems quite logical in the general structure of the book. After all, today most of the films become the achievement of a wide audience precisely thanks to their demonstration on the TV screen. In addition, television makes it possible to introduce the younger generation to the heritage of cinematic classics. Essays are thought to be just the beginning. They will become the foundation of the publication, built on a systematic and consistent presentation and analysis of the processes and phenomena of domestic cinema.

However, the worldwide fame of the cinematography of the Soviet period of the 20s of the 20th century was undoubtedly associated with the names of its classics - S. M. Eisenstein (1898–1948), V. I. Pudovkin (1893–1953) and our great compatriot O. P. Dovzhenka. S. M. Eisenstein's creative output was presented not only by his films "Strike", "Battleship "Potemkin", "October", which contributed to the enrichment of the film language and cinematic image in the art of cinema in general, but also by significant theoretical developments in the field of "intellectual cinema", installation problems, etc.

Popüler Dizilerden Son Bölümler

Tümünü Gör

Materials devoted to non-fiction films are more modest in scope. Analyzing its problems, S. Marchenko places the series "Unknown Ukraine" in the center of attention, tracing the ideological and thematic transformation of domestic non-fiction cinema, the aspiration of documentary filmmakers to acute journalistic and searching nature. The author emphasizes the complexity of the creative tasks faced by filmmakers who consider the documentary reproduction of historical events and their interpretation according to historical documents, not ideological schemes.

Ukrainian cinematography was started way back in 1896, more than 125 years ago. The first film was shot by Alfred Fedetsky in Kharkiv in 1896, but it was not like the cinema we are used to. The tape was entitled "Transfer of the Miraculous Icon of the Mother of God from the Kuryaz Monastery to the Kharkiv Pokrovsky Monastery." She (title) immediately describes the plot of this two-minute long work. Thanks to this tape, A. Fedetskyi became the first Ukrainian cameraman of documentary films. A little later in the same year, he organized the first public screening for Ukraine, where he demonstrated three-minute documentary stories. At the same time, screenings of French films started in Lviv.