diziler tales of the city diziler diziler obi wan kenobi

A characteristic feature of the artist's filmmaking is "actingversatility ", because breadthhis artistic range enables him to work brilliantly indifferent genres:to a police fighter ("Panic inNeedle Park", "Serpico", "Sea of ​​Love", "Clash andetc.);psychological dramawith elements of mysticism ("Lawyerthe devil") ; a gangster film(" I'm with a facescar", "Carlito's Way", etc.),drama ("Scarecrow", "Bobby Deerfield" (screen adaptationE. M. Remarque's novel "Lifein debt"), melodramas with elements of comedy ("Author ! Author!","Francis and Johnny") and others.In all theirsAl Pacino's works demonstrate the highest level of acting professionalism.Every movie is from himparticipation is artistica perfect work that always inspires admirationviewersHowever, the most significant creative achievements ofAl Pacino's film production is primarily associated withtrilogy by F. F. Coppola "The Godfather", in which the actor created the image of the head of the mafiaMichael Corleone's clan, and the film "The Scent of a Woman" directed by M. Brest – deeplypsychological film entertainment aboutthe adventures of a blind colonel of the American army, for whichthe artist was awarded the highest prize of the American Film Academy - goldstatuettesOscar.

Chaplin began his career in cinema at the Keystone Film studio. It was headed by the patriarch of American comedy M. Sennett, whose school also went through the famous comedians B. Keaton and G. Lloyd. However, the real "godfather" of American cinema of the beginning of the 20th century. certainly was D. W. Griffith (1875–1948). His films, among which the Birth of a Nation and Intolerance should be especially noted, enriched not only US cinema, but also the entire world cinema with new means of expression, improvement of the specifics of montage (parallel montage). Extremely interesting experiments are taking place at the same time and on the other side of the ocean - in the countries of Eastern Europe, in particular in Russia, where directors Ya. Protazanov, V. Gardin, E. Bauer, whose work was connected with the flourishing of the melodrama genre, are actively working.

V. Skurativskyi, considering the film process of the totalitarian era, resorts to convincing generalizations, searching for certain regularities according to which the cinematography of that era existed and developed. Analyzing the cinematographic works of the 1920s, S. Trimbach traces film processes in the context of national culture, highlighting the personality of O. Dovzhenko in a "close-up", emphasizing how fateful the appearance of this artist was for Ukrainian cinema.