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Scorsese and others; western– "Dances with Wolves"K. Kostner, psychological dramas - "Marathonets"J. Schlesinger, "Rain Man" by B. Levinsop, "Scent of a Woman" by M.Brest, "People vs. LarryFlint" by M. Foreman; disaster films - "Titanic" by D. Cameron and others.A characteristic feature of the modern American film process is active involvement incollaboration of leading foreign directors - L.Besson ("The Fifth Element", "Joan of Arc"), E.Kusturitsy ("Undegrau nd"), J.By ("Without a face"), E.Mengele ("The Englishman and the Patient","That gentleman is talentedRipley"), etc.The starry sky of Hollywood flash is new names. Nearwith recognized stars of the 80s and 90sx pp. A.Schwarzenegger , S. Stallone, R. Girom G. Ford,K. Costner, T. Cruz, N.Cage, S. Stone, K. Basinger, J. Foster, young actors A.diCaprio, E. North, D. Lowe.So, the cycle of acting life in Hollywood is endless...Characterizing recent significant eventsin US cinema, noone can not forget the phenomenon thatgot the name "tarantinomania". It's about creativityK. Tarantino. His movie" It's not a crimereading material" became to a certain extentepochal for the entire world film process. This istestimonythat the film world is tired of crueltyand started laughing. Today, K. Tarantino is considereda peculiar symbol of the new cinema, whichwon favor asintellectuals , yesandmass audience.

Chaplin's creative output attracted the attention of researchers who tried to understand the reason for the extraordinary popularity of this actor. Perhaps the secret of the great artist's success was that his hero - Charlie the tramp - looked at the world through the eyes of a child; he could make the viewer laugh and sympathize at the same time.

The theoretical basis of the Western avant-garde became the psychoanalytic concept of 3. Freud, the main task of which was to penetrate into the hiding place of the human psyche and explain the specifics of the unconscious. The experiments of the French avant-garde and German expressionists became vivid film illustrations of psychoanalytic theory.

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Avant-garde experiments cover almost all the leading cinematographies of the world. A bright page in the history of cinematography of the 20s is connected with the cinematography of the Soviet period, in particular with the work of L. V. Kuleshov (1899–1970) - "The Extraordinary Adventures of Mr. West in the Country of the Bolsheviks", "Death Ray", etc. - which, based on based on his own "model theory", created the First School of Film Actors (O. Khokhlova, B. Barnet, V. Pudovkin, S. Komarov, etc.); Dzygy Vertov (1896–1954) - an outstanding documentarian, the founder of journalistic cinema ("Sixth part of the world", "Symphony of Donbass") and the FEKS group (Factory of Eccentric Actor), which was organized by H. M. Kozintsev and L. 3. Trauberg , who in their artistic experiments relied on the principles of eccentricity ("Overcoat", "SVD", "New Babylon").

The main genres of American art cinema were finally formed in the 1920s and 1940s. 20th century Consumer demand for film products played a big role in this process, because the cinema depended on how profitable the films were.