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Scorsese and others; western– "Dances with Wolves"K. Kostner, psychological dramas - "Marathonets"J. Schlesinger, "Rain Man" by B. Levinsop, "Scent of a Woman" by M.Brest, "People vs. LarryFlint" by M. Foreman; disaster films - "Titanic" by D. Cameron and others.A characteristic feature of the modern American film process is active involvement incollaboration of leading foreign directors - L.Besson ("The Fifth Element", "Joan of Arc"), E.Kusturitsy ("Undegrau nd"), J.By ("Without a face"), E.Mengele ("The Englishman and the Patient","That gentleman is talentedRipley"), etc.The starry sky of Hollywood flash is new names. Nearwith recognized stars of the 80s and 90sx pp. A.Schwarzenegger , S. Stallone, R. Girom G. Ford,K. Costner, T. Cruz, N.Cage, S. Stone, K. Basinger, J. Foster, young actors A.diCaprio, E. North, D. Lowe.So, the cycle of acting life in Hollywood is endless...Characterizing recent significant eventsin US cinema, noone can not forget the phenomenon thatgot the name "tarantinomania". It's about creativityK. Tarantino. His movie" It's not a crimereading material" became to a certain extentepochal for the entire world film process. This istestimonythat the film world is tired of crueltyand started laughing. Today, K. Tarantino is considereda peculiar symbol of the new cinema, whichwon favor asintellectuals , yesandmass audience.

In adventure films, unlike an action film, the emphasis is shifted from gross violence to the cleverness of the characters, the ability to outwit and deceive the villain. At the same time, the hero must get out of difficult situations in an original way.

A characteristic feature of French cinematography in the 30s–60s of the 20th century. was his constant connection with the processes taking place in the philosophical environment. Thus, the creativity of the country's leading cinematographers (M. Carnet, J. Renoir, A. René, etc.), who worked in different historical periods and held different aesthetic positions, was stimulated by the concepts of the outstanding European theoretician A. Bergson. The American "counterculture", which was based on the concept of neo-Freudianism, the idea of ​​youth rebellion, was represented by A. Penn's films "The Chase" and "Little Big Man"; M. Nichols "Graduate"; D. Hopper's "Light Rider"; M. Forman - "One Flew Over the Cuckoo's Nest" etc.