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At the same time, an extremely interesting phenomenon is forming in the art of cinema - the "star system". In fact, each genre of game cinema had its own "stars". In the melodrama, they were F. Bertini, E. Santos, M. Jacobini (Italy), A. Nilsson (Denmark), V. Kholodna and I. Mozzhukhin (Russia), R. Valentino (USA); in an adventure film - Musidora (France), W. Hart and D. Fairbanks (USA); the success of the comic drama was associated with the name of the great French actor M. Linder, whose creative output had a significant impact on the development of this genre in world cinema in general and on the work of the world comedy classic Charlie Chaplin in particular.

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In some texts, the authors focus not so much on the film process as on its historical and social context. Thus, Z. Alfyorova draws attention to those general civilizational conflicts that were related to Ukraine and Ukrainian culture even in Soviet times. The author examines the artistic culture of Ukraine at the intersection of the influences of economic, political and socio-cultural systems and observes how the "crisis of reality", the "replacement of reality with signs of reality" is provoked both by the influence of "official" Soviet culture and the phenomena of early postmodernism. The author rightly notes that the internal dissidence of a certain circle of Ukrainian artists is reflected in the very style of screen works. However, interesting observations and theoretical generalizations do not always find concrete confirmation in the direct examination of the film process.

The tape "Shadows of Forgotten Ancestors" owed its success to the brilliant synthesis of the original literary source (the novel of the same name by M. Kotsyubynskyi), directing, cinematography and artistic skill, music, and acting. That is why the success of this film was shared between director S. Paradzhanov, cameraman Yu. Illenko, artist H. Yakutovych, composer M. Skoryk, actors I. Mykolaichuk, L. Kadochnikova.

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A characteristic feature of the artist's filmmaking is "actingversatility ", because breadthhis artistic range enables him to work brilliantly indifferent genres:to a police fighter ("Panic inNeedle Park", "Serpico", "Sea of ​​Love", "Clash andetc.);psychological dramawith elements of mysticism ("Lawyerthe devil") ; a gangster film(" I'm with a facescar", "Carlito's Way", etc.),drama ("Scarecrow", "Bobby Deerfield" (screen adaptationE. M. Remarque's novel "Lifein debt"), melodramas with elements of comedy ("Author ! Author!","Francis and Johnny") and others.In all theirsAl Pacino's works demonstrate the highest level of acting professionalism.Every movie is from himparticipation is artistica perfect work that always inspires admirationviewersHowever, the most significant creative achievements ofAl Pacino's film production is primarily associated withtrilogy by F. F. Coppola "The Godfather", in which the actor created the image of the head of the mafiaMichael Corleone's clan, and the film "The Scent of a Woman" directed by M. Brest – deeplypsychological film entertainment aboutthe adventures of a blind colonel of the American army, for whichthe artist was awarded the highest prize of the American Film Academy - goldstatuettesOscar.

At the same time, cinematography can by no means be called a "technical" art. Man's primordial need for a figurative understanding of reality gave birth to this mass form of art. Cinema is synthetic in nature, it combines elements of literature, theater, painting, music, choreography. That is why cinematography operates with many expressive possibilities borrowed from other forms of art. At the same time, cinema has its own specific means and techniques, in particular: perspective (angle of view of the film camera), change of plans (general, medium and large), montage, which combines individual frames in a logical sequence and makes it possible to convey the emotional and psychological tension of the episode.

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