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The cinema of independent Ukraine becomes the object of research by I. Zubavina. It must be said that the author set himself a difficult task: the material, one might say, is still pulsating, having "not stood up" in numerous studies. But the author decently overcomes these difficulties, singling out the most noticeable and expressive tendencies manifested in film productions created at domestic studios. I. Zubavina observes how the breath of time changes the aesthetics of national cinema, how painfully these changes sometimes occur, but the author does not doubt their regularity and necessity.

The release of the film M.Forman's "Amadeus" is a brilliant interpretation of creative and personal confrontationMozart and Salieri.In this decade, R. Redford, J. Lange, M.Strip - worthyinheritors of the great acting traditions of the US cinema.Significant gainsAmerican about cinemaof the last two decades are primarily associated with the names of F.F.Coppola (the third part of "The Godfather", "Bram Stoker's Dracula", etc.);S. Spielberg("Schindler's List ", "Jurassic Parkperiod" etc.); R.Zemeckis ("Forrest Gump"); D. Lynch("Blue Velvet ", "Your Shke", etc.).However, at the same time, many others appear on the screensthird-rate film production.Nowadays, almost all the modern ones are included in the Hollywood assembly linefilm genres tending tointeraction: a gangster movie –"Honor seven! Prizzi" by J. Hustonand "Married to the Mafia"J. Demmy (comedy invariance of the genre), "Oncein America" S. Leone, "The WayCarlito"B. de Palma, "On the Crest of the Wave" by K. Biglow (with elements of drama); thriller - a synthesis of detective andhorror film - "Heart of an Angel" by A. Parker, "Silence of the Lambs" by J. Demmy, "Cape Fear" by M.

Crime detection, "resolving relations" between gangster groups, etc., become the basis of crime film plots. The actions of the films take place mainly in the USA in the 1930s and 1940s. Karate films differ little from ordinary action films. But in the confrontation between the characters of karate films, the bet is not on the use of firearms, but on hand-to-hand combat using the techniques of oriental martial arts.

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The literature and social activities of J. Osborn and J. Kerouac had a significant influence on the American film process of the 60s, which determined the figurative and thematic orientation of the "counterculture" phenomenon. The tendency to the emergence of new directions occurs in the 60s of the XX century. and in the countries of Eastern Europe, in particular, in Russia, there is a "movement of the sixties", which in the art of cinema is associated with the work of M. Khutsiev - "Zastava Ilyich" and "July Rain"; A. Tarkovsky - "Ivan's Childhood"; G. Danelia - "I walk around Moscow", "Don't be sad", and became a cinematic reflection on the "Khrushchev thaw".

In adventure films, unlike an action film, the emphasis is shifted from gross violence to the cleverness of the characters, the ability to outwit and deceive the villain. At the same time, the hero must get out of difficult situations in an original way.