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Some sections are frankly polemical in nature. The authors reserve the right to the original interpretation of classical works, although sometimes their interpretations seem too paradoxical. This can be said about the essays written by O. Musienko and O. Sydor-Ghibelinda.

The systematization and generalization of important material is carried out by the research of H. Filkevich "Pages of the history of film music in Ukraine" and the investigation of O. Ravlyuk-Holitsyna, dedicated to the art of cinematography in Ukraine. These topics, which were only episodically highlighted in the domestic film opinion, seem to us to be extremely promising. After all, it is no secret that the cinematography school of Ukrainian cinema has an undeniable authority all over the world. The material of the essay itself has considerable potential. The same can be said about the perspective of covering the history of film music in Ukraine (emphasis on the wide use of folk melos, which works to strengthen the emotionally meaningful coloring of screen images).

It is not often that film experts turn to such an important field of cinematographic activity as film education. It can be said that the young researchers R. Roslyak and O. Bezruchko entered the territory that until now remained on the margins of film studies. In addition, few researchers were able to master historical facts with the help of archival documentation. R. Roslyak's text reveals to the reader a kind of terra incognita, because during the Soviet era, Ukrainian film education was persistently relegated to the shadows, weakening it also purely organizationally (closure of the film institute, departure of personnel, etc.).

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An extremely interesting aspect was chosen by V. Slobodian, researching acting schools in the cinematography of Ukraine. The author focuses on the work of theater actors of Les Kurbas in the cinema, which makes it possible to judge the contribution of the great director to the art of cinema, despite the fact that no film directed directly by Kurbas has survived. The actors of the Kurbasa theater showed themselves brilliantly in the films of O. Dovzhenko, I. Kavaleridze, and other famous directors, fully taking advantage of the lessons of their great teacher.

This film forever engraved the director's name in the list of outstanding artists20th century worldcinematography In front of it, F. F. Coppola, U.Friedkin, S. Lumet and others.Thematic update by Gollywood was conditioned by the need forchanging the hero. Yes, inthe second half of the 60s -in the first half of the 70s appear on the screen like thiscalled antiheroes. Unlikelegendary x handsome men, "knights without fear"reproach" of the 30s,new heroes havecertainhuman weaknesses, but under any conditions they do not lose their sense of self-worth. Such imagesembodied by outstanding actors, known to the whole world as the brilliant Hollywood four - D. Hoffman,R. De Niro, J. Nicholson, Al Pacino.Al Pacino, outstandingAmerican and actorof Italian origin, pupil of the Higherschool of performing arts of TV, organically combines work in the theater in its activitiesand cinema.However, the worldwide fame of Al Pacinoidentified with cinema.