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However, the worldwide fame of the cinematography of the Soviet period of the 20s of the 20th century was undoubtedly associated with the names of its classics - S. M. Eisenstein (1898–1948), V. I. Pudovkin (1893–1953) and our great compatriot O. P. Dovzhenka. S. M. Eisenstein's creative output was presented not only by his films "Strike", "Battleship "Potemkin", "October", which contributed to the enrichment of the film language and cinematic image in the art of cinema in general, but also by significant theoretical developments in the field of "intellectual cinema", installation problems, etc.

The first film studio in Hollywood was founded in 1911. Later, four major film companies were created - "Paramount Pictures" (1912 p.), "Warner Brothers" (1918 p.), "Columbia Pictures" (1919 p.), "Metro Goldwyn Mayer » (1924 p.), whose studios were in Hollywood, as well as several smaller companies. The first film that started the history of Hollywood was the western directed by Cecil B. de Mille, Indian Man.

The Western avant-garde of the 1920s is vividly represented in French cinematography, in particular in the films of R. Clair (1890–1981) - "Paris Fell Asleep." "Intermission"; A. Hansa (1889–198'!) – "Wheel", "Napoleon"; in the surrealist tapes of L. Beunuel ([900_1983) – "Andalusian Dog", "The Golden Age" and in the cinema of Germany, in the depths of which the direction that was called film expressionism arose. Its prominent representatives were R. Wiene (1881–1938) – the director of the film “Cab!net of Dr. Caligari”, which is considered a manifesto of this direction, F. Lang (1890–1976) – “The Nibelungen”, “Weary Death”: F. Murnau (1889–1931) – "Nosferatu", "The Last Man".

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Horror films include films intended to frighten the viewer, to cause a feeling of anxiety and fear, to create a tense atmosphere of horror or painful anticipation of something terrible. The main characters of such tapes are vampires, werewolves, zombies, etc. As in many genres of cinema, in horror films, a picture of the struggle between Good and Evil appears before the viewer. However, the victory does not always remain with the Good.

Scorsese and others; western– "Dances with Wolves"K. Kostner, psychological dramas - "Marathonets"J. Schlesinger, "Rain Man" by B. Levinsop, "Scent of a Woman" by M.Brest, "People vs. LarryFlint" by M. Foreman; disaster films - "Titanic" by D. Cameron and others.A characteristic feature of the modern American film process is active involvement incollaboration of leading foreign directors - L.Besson ("The Fifth Element", "Joan of Arc"), E.Kusturitsy ("Undegrau nd"), J.By ("Without a face"), E.Mengele ("The Englishman and the Patient","That gentleman is talentedRipley"), etc.The starry sky of Hollywood flash is new names. Nearwith recognized stars of the 80s and 90sx pp. A.Schwarzenegger , S. Stallone, R. Girom G. Ford,K. Costner, T. Cruz, N.Cage, S. Stone, K. Basinger, J. Foster, young actors A.diCaprio, E. North, D. Lowe.So, the cycle of acting life in Hollywood is endless...Characterizing recent significant eventsin US cinema, noone can not forget the phenomenon thatgot the name "tarantinomania". It's about creativityK. Tarantino. His movie" It's not a crimereading material" became to a certain extentepochal for the entire world film process. This istestimonythat the film world is tired of crueltyand started laughing. Today, K. Tarantino is considereda peculiar symbol of the new cinema, whichwon favor asintellectuals , yesandmass audience.