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The 20s of the 20th century were marked by the creation of Ukrainian film studios. Many tapes were shot under their guidance, which became famous all over the world. A film was shot on the territory of the Odesa Film Studio, which later became a business card of the city and was included in the top ten films of world cinema. We are talking about "Battleship Potemkin" by Sergei Eisenstein. It is impossible not to mention the films of Oleksandr Dovzhenko, the central figure of Ukrainian cinema. O. Dovzhenko's style gave birth to a new direction of "Ukrainian poetic cinema": "Zvenigora", "Arsenal", "Zemlya". The latter takes the 2nd position in the list of the 100 best films in the history of Ukrainian cinema and is included in the top 12 films of all times and nations. Such a top was formed based on the results of a survey of 117 film historians and film experts from 26 countries of the world at the Fifth World Exhibition held in Brussels in 1958.

In classic films of the western genre, the action takes place in the American Wild West in the 19th century. The conflict usually unfolds between a gang of criminals, representatives of the authorities and bounty hunters. As in a conventional action movie, the dispute is resolved through violence, which is inevitably accompanied by gunfire. In westerns there is an atmosphere of aspiration for independence, characteristic of the inhabitants of the western part of the United States.

Materials devoted to non-fiction films are more modest in scope. Analyzing its problems, S. Marchenko places the series "Unknown Ukraine" in the center of attention, tracing the ideological and thematic transformation of domestic non-fiction cinema, the aspiration of documentary filmmakers to acute journalistic and searching nature. The author emphasizes the complexity of the creative tasks faced by filmmakers who consider the documentary reproduction of historical events and their interpretation according to historical documents, not ideological schemes.

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At the same time, cinematography can by no means be called a "technical" art. Man's primordial need for a figurative understanding of reality gave birth to this mass form of art. Cinema is synthetic in nature, it combines elements of literature, theater, painting, music, choreography. That is why cinematography operates with many expressive possibilities borrowed from other forms of art. At the same time, cinema has its own specific means and techniques, in particular: perspective (angle of view of the film camera), change of plans (general, medium and large), montage, which combines individual frames in a logical sequence and makes it possible to convey the emotional and psychological tension of the episode.

The French "new wave" is directly associated with the work of J.L. Godard - "On the Last Breath"; F. Truffaut - "400 blows"; A. Rene - "Hiroshima, my love." The films of these directors were characterized by improvisation, reportage, which enabled artists to depict the absurdity of the world, the cruel laws of society that oppress the individual. The French invariance of the philosophy of existentialism, which was represented by the concepts of J.-P. Sartre, A. Camus and S. de Beauvoir.