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("Chained with one chain", "OnBerezi", "Nuremberg Trial" ). Ownmakes the best tapesA. Hitchcock ("Vertigo", "Psycho", "Birds"), The film "Birds" in American cinema wasa new film genre was launched - a disaster film based on the struggle of man withnatural elements (fire, water, earthquake) andrepresentatives of the animal world.At the same time, young people are increasingly actively asserting themselvescinematographers . In the beginning"conflict of generations" the films "Marty" by D. Mann and "Twelveangry men" by S. Lumet,however, he threw the most serious challenge to "old Hollywood".the idol of the youth of that time J. Dean -performer of the main role ina film with a symbolic title"Rebel without an ideal".Among the prominent actors of the second half of the 50s -early 60shas a special placeMy favorites are newgenerations of Americans of different social classes Marilyn Monroe.Today, films with her participation ("All about Eve", "Niagara", "Only in jazzgirls" etc.) quiteare often shown on television. Documentaries and feature films are devoted to the life of the actresstapes, books have been written about her, but the mystery of the death of Marilyn Monroe, which is not yet knownrevealed, continues to worry future generationsher fans.In the second half of the 60s- the first half of the 70sHollywood is going through a thematic periodrenewal.

Chaplin began his career in cinema at the Keystone Film studio. It was headed by the patriarch of American comedy M. Sennett, whose school also went through the famous comedians B. Keaton and G. Lloyd. However, the real "godfather" of American cinema of the beginning of the 20th century. certainly was D. W. Griffith (1875–1948). His films, among which the Birth of a Nation and Intolerance should be especially noted, enriched not only US cinema, but also the entire world cinema with new means of expression, improvement of the specifics of montage (parallel montage). Extremely interesting experiments are taking place at the same time and on the other side of the ocean - in the countries of Eastern Europe, in particular in Russia, where directors Ya. Protazanov, V. Gardin, E. Bauer, whose work was connected with the flourishing of the melodrama genre, are actively working.

Wide use of archival materials seems to us to be especially valuable in scientific research. This concerns the historical exploration of the Kharkiv researcher V. Myslavsky, dedicated to the first decade of game cinema. The author "equipped" his essay with numerous references to pre-revolutionary film magazines and beautiful iconographic material. Footage from "pre-revolutionary" films is all the more valuable because the tapes themselves have hardly survived.