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"A nation that does not know its history is a nation of the blind," Oleksandr Dovzhenko said. And cinema is an extremely apt tool to record this story. Therefore, Ukrainian cinema must live. So it will be!

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The Western avant-garde of the 1920s is vividly represented in French cinematography, in particular in the films of R. Clair (1890–1981) - "Paris Fell Asleep." "Intermission"; A. Hansa (1889–198'!) – "Wheel", "Napoleon"; in the surrealist tapes of L. Beunuel ([900_1983) – "Andalusian Dog", "The Golden Age" and in the cinema of Germany, in the depths of which the direction that was called film expressionism arose. Its prominent representatives were R. Wiene (1881–1938) – the director of the film “Cab!net of Dr. Caligari”, which is considered a manifesto of this direction, F. Lang (1890–1976) – “The Nibelungen”, “Weary Death”: F. Murnau (1889–1931) – "Nosferatu", "The Last Man".

The spiritual and sensual world of heroes is best revealed by melodramas. Beautiful costumes and scenery, lyrical music - all this was transferred to the movie screen from the theater stage.

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The 20s of the 20th century were marked by the creation of Ukrainian film studios. Many tapes were shot under their guidance, which became famous all over the world. A film was shot on the territory of the Odesa Film Studio, which later became a business card of the city and was included in the top ten films of world cinema. We are talking about "Battleship Potemkin" by Sergei Eisenstein. It is impossible not to mention the films of Oleksandr Dovzhenko, the central figure of Ukrainian cinema. O. Dovzhenko's style gave birth to a new direction of "Ukrainian poetic cinema": "Zvenigora", "Arsenal", "Zemlya". The latter takes the 2nd position in the list of the 100 best films in the history of Ukrainian cinema and is included in the top 12 films of all times and nations. Such a top was formed based on the results of a survey of 117 film historians and film experts from 26 countries of the world at the Fifth World Exhibition held in Brussels in 1958.

Our editors conducted a survey in which 100 respondents of different ages and genders took part. According to the results, 75% of the respondents claim that they mostly do not watch Ukrainian cinema and have a neutral attitude towards it, although their further answers let us understand that they still watch Ukrainian cinema without identifying it with Ukraine. When asked to mention Ukrainian film works, 40% of respondents could not give an answer. Among the 60% of respondents who were able to remember Ukrainian cinema, the following films were most often mentioned: "Squat32" (2019, romantic drama), "Mykyta Kozhumyak" (2016, cartoon), "Devoted" (2020, historical drama), "Mad Wedding" (2018, comedy), "I, You, He, She" (2018, comedy).

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