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Cinematography of the Soviet period of the 30s of the XX century. became a kind of mirror of the totalitarian era, because all cinematographic genres of that time fulfilled certain "social orders". A vivid example of this was the historian-revolutionary film presented by M. Romm's dilogy - "Lengn in October" and "Lenin in 1918"; trilogy by H. Kozintsev and L. Trauberg - "Maxim's Youth", "Maxim's Return" and "Vyborzka Side"; paintings by S. Yutkevich - "Man with a gun", the Vasiliev brothers - "Chapaev"; O. Dovzhenka - Shchors.

Modern Ukrainian war documentaries 2014-? In the conditions of the war since the beginning in the territory of Donbas, the annexation of Crimea and today's full-scale Russian invasion of Ukraine, a "cinema boom" has been observed. "Cyborgs" (2017), "Callsign Banderas" (2018), "Volunteers of God's Chota" (2015), "On the Line of Fire" (2017), "War of Chimera" (2017), "Debaltseve" (2016). And this is only a part of the tapes that appeared on our screens between 2014 and today. All of them are high-quality, dramatic, vivid, and most importantly, Ukrainian, depicting for Ukrainians and the world everything that happened and is happening during the war in our country. Today, it is possible to confidently predict an even bigger "cinema boom" that will happen after Ukraine's victory in the war with Russia. After all, unfortunately, there will be something to show. Moreover, not only Ukrainians, but also foreign artists will shoot. Bo Willimon — an American playwright and screenwriter (screenwriter of "House of Cards") — has already voiced his desire to shoot a documentary about the crimes and genocide committed by the Rashists in the Ukrainian town of Bucha. According to the Buchansk City Council, the screenwriter is already collecting materials while in Ukraine.

The advantage of "Essays" is the structuring of the material full of internal logic, the examination of artistic phenomena from different perspectives, from different angles of view, which gives the study scientific volume and stereoscopicity.

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In 1911, in the suburb of Katerynoslav (modern Dnipro), director and cameraman Danylo Sakhnenko shot the first feature film of national production - "Zaporizka Sich". Since the beginning of the 20th century, preference was given to the famous plays: "Natalka Poltavka", "Naymichka", "Moskal the Magician", "Bohdan Khmelnytskyi". Pre-revolutionary cinema brought popularity to many actors, but Vira Kholodna, who was considered the queen of the screen at that time, was singled out.

Some sections are frankly polemical in nature. The authors reserve the right to the original interpretation of classical works, although sometimes their interpretations seem too paradoxical. This can be said about the essays written by O. Musienko and O. Sydor-Ghibelinda.