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In 1911, in the suburb of Katerynoslav (modern Dnipro), director and cameraman Danylo Sakhnenko shot the first feature film of national production - "Zaporizka Sich". Since the beginning of the 20th century, preference was given to the famous plays: "Natalka Poltavka", "Naymichka", "Moskal the Magician", "Bohdan Khmelnytskyi". Pre-revolutionary cinema brought popularity to many actors, but Vira Kholodna, who was considered the queen of the screen at that time, was singled out.

V. Skurativskyi, considering the film process of the totalitarian era, resorts to convincing generalizations, searching for certain regularities according to which the cinematography of that era existed and developed. Analyzing the cinematographic works of the 1920s, S. Trimbach traces film processes in the context of national culture, highlighting the personality of O. Dovzhenko in a "close-up", emphasizing how fateful the appearance of this artist was for Ukrainian cinema.

In 1911, in the suburb of Katerynoslav (modern Dnipro), director and cameraman Danylo Sakhnenko shot the first feature film of national production - "Zaporizka Sich". Since the beginning of the 20th century, preference was given to the famous plays: "Natalka Poltavka", "Naymichka", "Moskal the Magician", "Bohdan Khmelnytskyi". Pre-revolutionary cinema brought popularity to many actors, but Vira Kholodna, who was considered the queen of the screen at that time, was singled out.